Showing posts with label background photography. Show all posts
Showing posts with label background photography. Show all posts

Tuesday, May 1, 2012

EBook is published!

Head on over to StockMediaArtist.com (Shut Up and Shoot!) and get yours today! (Okay - you could just click on the link below and just order it here as well.)





Enter Discount Code (if you have one) Here:


(Note: You do not need a PayPal account to purchase. However, in such case your order may be delayed as an approval process for such transactions comes into play, as we have to manually approve such orders. Thank you for your patience. )

Thursday, August 26, 2010

Photographer's Rights - and my memory...

So once again, a friend of mine asked me about what a photographer's rights are? I knew I had an answer, but had to dig for it.

So here it is... Of course this applies to anyone with a device that takes pictures, whether still or in motion. Hence, yes, it applies to cinematographers or videographers as well.

I am now posting this on my blog for two reasons:

1. My memory sucks. Therefore, I have to search and hunt this down every time someone asks.
2. It's a "cool blog entry of value" (CBEOV - love those acronyms) and hence is a place I can send people to. Of course then they also get to see all my other cool stuff. Yeah, I know, real sneaky on my part.

So here it is, courtesy of an attorney by the name of Bert P. Krages II (this will open a new window). Not only has he clearly defined the rights, but also has made them available for download in PDF format (you might want to simply right click this and do a "save as") so that you can carry this with you at all times.

So the next time someone tries to give you a hard time for standing on a sidewalk and shooting a sunset, or whatever, whip this document out and make them read it. The law is on your side!

Watch out cops and "wanna be" officials - we "picture takers", "filmers", "shooters", "photogs", "b-roll artists", "stock dudes", "camera guys", "camera gals", are well armed with the law in our pocket!

Monday, August 18, 2008

It was a Wednesday, not a Friday the 13th.

It was definitely not a Friday the 13th when this little, and I use the term "little" loosely, storm passed through my backyard. So to speak. This thing literally came out of nowhere in just a short time as monsoons typically do.

But this was one of the easiest times I have ever had in regards to capturing lighting in the form of hi-res still shots. So, now I wonder, is the 13th really a bad luck thing, or as some cultures believe, it may just be real good luck.

This storm passed through in about 50 minutes, or just short of an hour. The shots are in sequence, unmodified or touched up. Dramatic to say the least. Some of you will pick up on the fact of why I had to quit when I did. Just observe the last few shots. Yes, the strikes were getting a bit close, and very loud. Enjoy.



For those of you that are wondering just how to shoot lightning like this, here are some quick notes:
1. Make sure you are a safe distance from the activity!
2. Make sure you are a safe distance from the activity!
3. Use a tripod.
4. Use a camera that has a manual mode.
5. Set the shutter speed to "bulb" (keeps the shutter open for as long as you wish)
6. Set the F-stop to 8.0
7. Make sure you are a safe distance from the activity!
8. Use manual focus!
9. Make sure you are a safe distance from the activity!
10. Set the focus to infinity. (Don't over crank or you will get macro on most lenses, which will in turn give you out of focus, rotten, miserable, garbagey shots - not that this ever happened to me. ;))
11. Make sure you are a safe distance from the activity!
12. Use a remote trigger so that you don't shake the camera.
13. Make sure you are a safe distance from the activity, and by activity I mean specifically lightning! Wow, 13 steps. Coincidence?

Sunday, June 29, 2008

Monsoons 2008 - A Preview

Just a little taste of what's to come this year. This is a small compilation of some new footage shot just a few days ago along with some older footage. I thought I would give it a bit of a latin guitar twist to enhance the mood of the southwest. In this compilation there is a combo of video stock footage as well as some still shots. All of this of course is available as royalty free stock footage from you guessed it, me.

Wednesday, January 16, 2008

The Little Understood Secrets of Television Trickery - (and how to do it cheaply)






Ever wonder how the weather changes so quickly on TV?

OK, so we all know that the weather guys and gals are almost never accurate when they announce the future. Imagine if they were, wouldn't they be better stock market reporters?

All kidding aside though, have you ever seen a news report say on CNN, MSNBC, FOX or any channel for that matter where a live interview occurs? Typical examples are when the news has its so called "experts" chime in on a topic. These experts reside all over the country. So how do they get them on the air and live at that? To top it off, why is the weather that they are sitting in always different than the actual weather report of their location?
Recently I was visiting a buddy of mine that just so happens to be in the business of providing live link ups for just such interviews and purposes. He is a pretty smart fellow too. I suppose that's why he named his company"Live Link Ups".


So where's the magic? And just why is the weather always nice in the background of the individual being interviewed?
Really it's no magic at all. This is all done with Chroma Key or so called "green screen", "blue screen" and even in some cases other colors. The interviewee is not actually sitting in the location depicted by the background. They are actually sitting inside a nice little temperature controlled studio. Behind them is typically nothing other than a green or blue screen (or wall). Better yet, think about your local weather person on your local news. Just how do they "jump" into those satellite pictures that they use, or the weekly temperature forecast charts that are life size? This is all done with Chroma Key technology.
Of course when broadcasting live, it does take a bit of pretty expensive equipment to accomplish this nicely. Using a green or blue screen along with the proper equipment makes it easy to "implant" any image or video as a background. This of course is the "trickery" or magic that makes things not only look nice, but can give the sense of location that the "live feed" is coming in from.
Other upsides or benefits are that one has more control of bystanders not messing up the interview. This is simply because if the background happens to be video, it was shot at a time without any other equipment than a camera. Hence, no one stops to look at a camera anymore, but they will stop and try to get in the picture if they see a camera, all kinds of other equipment and yes, an anchor person. Just watch your local news when they are out and about on location. People always want their 15 seconds in the spotlight. The national morning programs actually exploit that simple fact.

So why even bring up such a trivial topic?
Well on my last visit to Live Link Ups, my buddy decided he needed to get some new backgrounds for his future clientele. So he asked me if I could help him, and take a couple of shots for him. So off we went and got us some nice background shots of office buildings. The neat thing about this is, they are still shots, not video. Talk about an inexpensive way to make things really pop.


Think about it, with a Canon Rebel XTi (the camera used) we can shoot as many shots (good or bad) as the memory chip will hold, and select the "cherries". We could expiriment to our heart's content in a very short time. We didn't have to haul heavy cameras, use up tape (or film in some cases), and most certainly we did not become the center of attraction to passers-by. Cool. We just looked like two dummies taking pictures of buildings. Little did the passers-by realize that these simple shots would be what they will see on live TV. Even cooler.
Of course he still will need to take these images and create a CD, yup a simple CD of pics that he can load any pic off of and with his equipment drive the image as the background. Neat.
What if you wanted to do the same thing, but cheaply?
Assuming you are not going to do live broadcast on TV, but rather for the internet, you can do it quite cheaply. There are plenty of products off the shelf for very little money (less than $100.00) that will let you do the same assuming you have a webcam. Some of these kits not only include the software to run on a PC, but also include a sheet (usually plastic) of green screen and even have a lapel microphone. So why not go for it if you are going to do webcasts and such. Get the whole enchilada and expiriment. Trust me, it's alot of fun and the only limit is your imagination.
There are a few things you will need to know to be successful at it though. Keep in mind that lighting and sound are very important to get some quality productions out. You can learn all about these concepts from a variety of people for free on YouTube for example. Or if you need products from software to goods for such purposes, you will find many suppliers and vendors by doing some simple google searches.
Here are just a few:

Most of all - Have Fun!

Andreas (Vader) Hohl - Imagineerest ;)











Adobe - 2 Years (and a Half) Later - Great Stuff!

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