Demo reel for commercial stock footage and production work - Part A

Well I suppose it is about time, eh? This demo reel shows not only some goodies from my stock footage libraries, but also some of the capabilities I have in regards to effects creation, logo manipulation and all around "eye candy" generation. The simple fact is that in today's world, one must get super creative and set the bar higher and higher. (That last phrase could be some new lyrics for a pop hit.) - In any case, hopefully this does the job of showing off some of the skill sets right here and now. 100% created by me, from graphical coolness to footage galore. :)

Moby's new hit - Wait for Me - Music Video Contest

Just a quick piece of shameless self promotion. My music video entry, check it out and vote (hopefully for mine!):

(clicking on these links will open a new window for you.)

http://genero.tv/watch-video/2386/

My stuff in a newly released motion picture!

Sometimes, in the stock footage industry one gets real lucky. Let me explain. In the stock footage industry, us shooters simply provide so-called "b-roll" or "second unit" footage. The way it works is fairly simple. We shoot whatever suits us at any given time. And what I mean here is literally what suits us! We go out and about not really knowing if it will ever sell or if it has a use. We only take our best guess and "shut up and shoot!" Of course, we try to find or shoot things that make some sense. Or perhaps they might have subject matters to do with current events. Sometimes we just shoot because we want to see how far we can push the limits. I do this every year as the monsoons roll in. I shoot lots of storm footage, lightning, cloud formations and whatever else that might just be really exciting to look at. Having done so, it sometimes feels like a crap shoot. :) Pun intended.

Through the various agencies, these clips get sold at random. We usually never know who is buying what. But what makes this somewhat interesting is that every once in a while we actually get to see our stuff on TV, or in a motion picture. Very cool. I have been fortunate enough to spot some of my stuff (as well as fellow artists' stuff) on various shows. For example, over the last year having watched the Weather Channel, The Discovery Channel, The Science Channel, The History Channel and even the local news, I have been fortunate enough to actually recognize some of my stuff. (As well as other fellow artists' stuff.) I suppose there is a really proud feeling when this happens. Bragging rights of course! But most of all, it helps build credibility. Think about it. We "stock shooters" are constantly behind the camera and every time we shoot something, we learn new tactics, techniques and concepts. I call this "camera wrangling". We learn or stumble upon our own little "secrets" of how to get a shot. Chances are, we, as a collaborative have more experience, knowledge and hours behind a camera than most of the cinematographers in Hollywood. Okay, maybe not but totally debateable. But we are all damn good at what we do. And the proof of this is when someone actually buys your stuff. Even better proof is when someone buys your stuff and makes it a point to let you know they bought your stuff. Very cool.

Well, this has now happened. And to say the least, it is a very cool feeling to not only hear from them, that they bought your stuff. But for them to actually tell you what they will use it for, the scene it should be in etc... This is a real ego booster to say the least. But more importantly, it inspires one to keep on shooting, no matter what!  So to make a long story short - about a year ago this clip was purchased by an independent production company (in the UK):


Important Note: You too can own this clip. No, actually, since you are reading this, you have to buy this clip. Otherwise you won't be able to prove to your friends what is listed below. Purchase it here. :)

Now fast forward to today, and yes, they gave me a "heads up" that the movie has been released in Europe, but is also available on Amazon already for the US. So, here is what I recommend to all that read this:

1. Purchase the movie ASAP!
2. Purchase a second copy for your friends, again ASAP!
3. In case your movie gets damaged, purchase a backup copy for yourself, also ASAP!
4. Watch the movie, admire the most elaborate cinematography you have ever seen and take note that you can tell your friends that you read the guy's blog about how this all came to be and how you know exactly where in the movie his clip is. (Hint: over the cruise ship in the Bermuda Triangle) - And you know this because you left comments at this guy's blog, and you are now really close friends with this guy and you have bragging rights for even knowing this guy and ... and.... and NO, I won't verify your claims to anyone! :)
5. Purchase the stock footage clip above as evidence that you know me. Maybe then I will back you on your claims of knowing me. NO, not really. But buy the clip anyway. :)

But just click on the box cover below and buy the damn movie. It's going to be one of those smash hits soon anyway, so why not have it before it's all sold out?

Available on Blue-Ray and DVD! Buy now! Really, buy this masterpiece now!

03/12/10 - UPDATE:

Finally got the movie in. Did a quick preview. Actually from the looks of it, it is quite a twisted story and done very well. The title "Triangle" (a.k.a. The Bermuda Triangle) implies "another one of those" - but it definitely is not another "one of those". Actually a very well thought out twisted story line. - I did recognize my footage and it is at one of the highlights of the storyline. (3 times even at about 1 to 2 seconds each.) I am always amazed how the compositors make use of footage. If I didn't know what I was looking for, I would have missed it. :)

The Little Understood Secrets of Television Trickery - (and how to do it cheaply)

Ever wonder how the weather changes so quickly on TV?

OK, so we all know that the weather guys and gals are almost never accurate when they announce the future. Imagine if they were, wouldn't they be better stock market reporters?

All kidding aside though, have you ever seen a news report say on CNN, MSNBC, FOX or any channel for that matter where a live interview occurs? Typical examples are when the news has its so called "experts" chime in on a topic. These experts reside all over the country. So how do they get them on the air and live at that? To top it off, why is the weather that they are sitting in always different than the actual weather report of their location?

Recently I was visiting a buddy of mine that just so happens to be in the business of providing live link ups for just such interviews and purposes. He is a pretty smart fellow too. I suppose that's why he named his company"Live Link Ups".

So where's the magic? And just why is the weather always nice in the background of the individual being interviewed?

Really it's no magic at all. This is all done with Chroma Key or so called "green screen", "blue screen" and even in some cases other colors. The interviewee is not actually sitting in the location depicted by the background. They are actually sitting inside a nice little temperature controlled studio. Behind them is typically nothing other than a green or blue screen (or wall). Better yet, think about your local weather person on your local news. Just how do they "jump" into those satellite pictures that they use, or the weekly temperature forecast charts that are life size? This is all done with Chroma Key technology.

Of course when broadcasting live, it does take a bit of pretty expensive equipment to accomplish this nicely. Using a green or blue screen along with the proper equipment makes it easy to "implant" any image or video as a background. This of course is the "trickery" or magic that makes things not only look nice, but can give the sense of location that the "live feed" is coming in from.

Other upsides or benefits are that one has more control of bystanders not messing up the interview. This is simply because if the background happens to be video, it was shot at a time without any other equipment than a camera. Hence, no one stops to look at a camera anymore, but they will stop and try to get in the picture if they see a camera, all kinds of other equipment and yes, an anchor person. Just watch your local news when they are out and about on location. People always want their 15 seconds in the spotlight. The national morning programs actually exploit that simple fact.

So why even bring up such a trivial topic?

Well on my last visit to Live Link Ups, my buddy decided he needed to get some new backgrounds for his future clientele. So he asked me if I could help him, and take a couple of shots for him. So off we went and got us some nice background shots of office buildings. The neat thing about this is, they are still shots, not video. Talk about an inexpensive way to make things really pop.

Think about it, with a Canon Rebel XTi (the camera used) we can shoot as many shots (good or bad) as the memory chip will hold, and select the "cherries". We could expiriment to our heart's content in a very short time. We didn't have to haul heavy cameras, use up tape (or film in some cases), and most certainly we did not become the center of attraction to passers-by. Cool. We just looked like two dummies taking pictures of buildings. Little did the passers-by realize that these simple shots would be what they will see on live TV. Even cooler.

Of course he still will need to take these images and create a CD, yup a simple CD of pics that he can load any pic off of and with his equipment drive the image as the background. Neat.

What if you wanted to do the same thing, but cheaply?

Assuming you are not going to do live broadcast on TV, but rather for the internet, you can do it quite cheaply. There are plenty of products off the shelf for very little money (less than $100.00) that will let you do the same assuming you have a webcam. Some of these kits not only include the software to run on a PC, but also include a sheet (usually plastic) of green screen and even have a lapel microphone. So why not go for it if you are going to do webcasts and such. Get the whole enchilada and expiriment. Trust me, it's alot of fun and the only limit is your imagination.

There are a few things you will need to know to be successful at it though. Keep in mind that lighting and sound are very important to get some quality productions out. You can learn all about these concepts from a variety of people for free on YouTube for example. Or if you need products from software to goods for such purposes, you will find many suppliers and vendors by doing some simple google searches.

Here are just a few:

• Chroma Key Software
• Chroma Key Supplies
• Chroma Key Tutorials
• Chroma Key Special Effects

Most of all - Have Fun!

Andreas (Vader) Hohl - Imagineerest ;)